khosro bagheri nowparast; mohammad zahir nowparast
Abstract
It seems necessary to introduce the basic concepts used in this article i.e. formalism, anti-formalism and moderate formalism. Formalists believe that the aesthetic appreciation of an artwork generally involves an attentive awareness of its sensory or perceptual qualities and does not require knowledge ...
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It seems necessary to introduce the basic concepts used in this article i.e. formalism, anti-formalism and moderate formalism. Formalists believe that the aesthetic appreciation of an artwork generally involves an attentive awareness of its sensory or perceptual qualities and does not require knowledge about its non-perceptual properties. Anti-formalists on the other hand hold that none of the aesthetic properties in a work of art are formal. A number of philosophers have recently advocated a more moderate formalism. According to this view, although not all aesthetic qualities are formal, many are, and some artworks possess only formal aesthetic qualities. The quarrel among these three rival views concerns what sort of knowledge, if any, is required for appropriate aesthetic appreciation of an artwork. In what follows, we will give a brief exposition of these three viewpoints. Subsequently, we will give our preferred position with regard to these views.
